Monday, January 30, 2006

Enough Already

Author Noel Alumit has a great comment on the James Frey debacle:

"Enough. Enough. Enough. Enough. I'm going to explode into a million little pieces if I hear one more thing about James Frey and his memoir. Enough, enough, enough. Please, please, please. All of this will cause me to drink and smoke again. Please! Stop!!!" -- Noel Alumit

Thursday, January 26, 2006

Nurturing Writers

I want to highlight two places that I've heard about, but haven't visited yet (although I will, soon). They are dedicated to providing space in which to nurture writers and writing -- not virtual space, but physical space; think of Virginia Woolf's A Room of One's Own. I'm referring to The Grotto, and 826 Valencia, both in San Francisco. I live about 80 miles from San Francisco, although I still think of it as my home, the place where I first saw light of day. But I'm wondering about the potential for creating something like the Grotto in the medium-sized town in which I live.

The Grotto is a cooperative writing space, which you can use if you are willing to contribute rent. Right now it houses thirty writers. There have been offshoots of the Grotto idea, including a Grotto for designers. The Writer's Grotto also holds readings, and other special events, and you can sign up for their newsletter. Find out more, here.

826 Valencia is a place dedicated to helping young folks, ages 8 to 18, to develop both their creative writing and expository skills; and sometimes, I notice, they also help grownups work on their writing too. They provide tutoring, workshops, fieldtrips, readings, and it looks like a lot of fun. Check it out here.

Anyway, I found these via the always perky and knowledgeable Josh Kornbluth.

Reading & Running

Added Jim Ryal's Reading & Running. (I think there's some writing going on in there, too).

Wednesday, January 18, 2006

Mumspotting

Adding Christine Lim-Simpson's Mumspotting -- because writers can always use good illustrators.

Tuesday, January 17, 2006

Aerial Map

Wow, I just found the most amazingly detailed aerial map of the San Francisco neighborhood that I'm writing about. It shows the on-ramp to the Bay Bridge. Of course it's contemporary. Would that I could find a photograph of that same neighborhood during the 1930s!

Friday, January 13, 2006

The Detour

So here's how I used the material that I researched about the construction area between 3rd St. (see my previous "research" post below). Carlos fetches Dora from her apartment near 3rd St. They have to backtrack to Folsom. The walk along Folsom to Beale on the other end of Rincon Hill provides a good pretext to get to know the characters, and they have an interesting discussion. Then they turn right and walk up the hill:

The apartment was located near the top of the Rincon hill — or what was left of it — in an area that overlooked much of the construction work for the viaduct. In the moonlight, Dora could make out the eight block area below, strewn with trucks, cranes and bulldozers, temporary sheds, pipes and cement mixers, all marked off with wire fencing. It looked like a war zone. She could see the tall, brick edifice of the Lithography Co. clock tower looming above the mess, the only building slated to survive demolition. An unpaved, temporary road now edged the fenced area and joined the street leading up to the apartment.

I'm not even sure that I have it entirely right yet; next time I'm in San Francisco, I'll try walking the route.

Thursday, January 12, 2006

A Bite and a Pat on the Back


I've been sending out queries to agents and publishers for a client for a couple months without much luck; but today we got -- not an acceptance, but definitely a bite, from a publisher. Even if it's not my book, it feels good.

And hey -- while I'm patting myself on the back (and my author-clients), another of my clients (who is writing a book on Bipolar Disorder) just got a thumbs up and a supporting blurb for the back of his book, from a professor emeritus at the Stanford University Medical Center. Yes!!!

Sunday, January 08, 2006

Research


It's amazing the amount of research required to write an historical novel. I'm lucky to live during the time of the Internet, although I know you can't trust everything the internet offers. Still, there's access to old newspaper reports, sections of library archives (Library of Congress has some great stuff), and every major university seems to have put some of its archives online. It would all be quite intimidating if it wasn't for the fact that the whole process is fascinating, too. And it seems as if everything must be done simultaneously. I can't write about my two protagonists walking from 3rd St. to Rincon Hill without having to research the early days of the building of the San Francisco-Oakland Bay Bridge, because my characters have to walk past the entrance to the bridge.

I try to imagine what a mess the construction is making of Rincon Hill. What kind of debris is laying about? Can my characters take a direct route, or must they detour? I learn that Rincon Hill used to be the home of the elite during the mid-1900s, but that over the decades, it slowly degraded into a neighborhood of run-down flats sheltering the working poor by the 1930s.

It feels like I'm time traveling. This is fun.

Saturday, January 07, 2006

Grey Matter

My Outsourced Life

My Outsourced Life by A.J. Jacobs, for Esquire Magazine.

Excerpt: "...As on every morning at 8:30, I get a call from Honey. "Good morning, Jacobs." Her accent is noticeable but not too thick, Americanized by years of voice training. She's the single most upbeat person I've ever encountered. Whatever soul-deadening chore I give her, she says, "That would indeed be interesting" or "Thank you for bestowing this important task." I have a feeling that if I asked her to count the number of semicolons in the Senate energy bill, she would be grateful for such a fascinating project."

Wednesday, January 04, 2006

An Excerpt

I thought I'd take a cue from Jim Ryals, who occasionally posts excerpts from his work-in-progress on his blog, and post an excerpt from something I'm working on. Here it is...


From Pullman, Oregon, Carlos hitched a ride with Ernesto, as far south as Reno. Ernesto planned to spend the winter there, with his girlfriend. Carlos figured he could hop a train from Reno, and take it west to Oakland; he’d spend the rest of the trip sleeping in a boxcar, as long as the hoboes left him alone. They arrived in Reno late in the evening. The mountain air was crisp and cold; it smelled like frost. Ernesto directed Carlos to avoid the main street, and dropped him near a curve in the tracks, not far from the empty train station. He hunkered down near the edge of a field of wild wheat and waited, shivering, despite the fact that he was dressed warmly for cold weather in a jacket, sweater and overalls. The moon was nearly full, and provided enough light to see the tracks clearly. He was glad that he’d brought his potato-sacking gloves with him; he took them out of his jacket pocket and put them on.

About a half hour later, as Ernesto predicted, a train rumbled down the tracks. The black Southern Pacific engine towed what seemed to be an endless line of the familiar dirty orange boxcars marked “PFE,” Pacific Fruit Express. Seeing no open cars or gondolas as the train moved sluggishly past him on the curve, on impulse, Carlos finally ran alongside one of the cars for a minute, reached out for the ladder that was bolted near one end of it, and swung himself up. He figured he’d find an open car when the train came to its next stop. But it didn’t stop. It sped up, and kept on going, too fast for him to jump off. So he climbed to the top of the car and “rode the deck,” something he had never done before, and later vowed he would never do again. Friends had boasted of riding the deck, or even “riding the rods”—hanging onto the structural rods underneath the boxcars—so Carlos thought this would be his chance to have an adventure, something he could tell stories about later.

At first he tried to sit on top of the car, but the wind hit him full blast, seeming to tear right through his jacket. He was afraid of getting his head lopped off in one of the many tunnels carved through the mountainsides from Reno to the Central Valley, so it seemed best to lay down. Unfortunately, the deck was wet in spots; it seemed that the car had recently been iced. Carlos remembered seeing workers in Lewiston standing on high platforms next to a train, loading blocks of ice into open hatches set in the tops of refrigerator cars. Suddenly he felt like kicking himself. He should’ve waited for an open boxcar to come by. How stupid for him to pick a refrigerator car!

A narrow metal strip ran along the length of the car’s flat rooftop like a spine; its “ribs” flared out from it horizontally, each about a yard apart. Carlos crawled along the roof until he found a dry spot, and lay down. He could hold on to the metal ribs, but they also made it difficult to stretch out flat, so he had to curl up on his side, one hand locked onto one of the metal ridges to keep him in place. He lay in that position, as the wind chilled him to the bone—until he was so stiff with the cold he could barely move.

In the numbing cold and the darkness, it seemed that only his sense of smell was operating, and it helped him to figure out where he was. For a long time, the medicinal scent of pine and fir trees, the relatively slow speed of the train and its frequent turns, told him he was in the mountains. Then, the speed of the train increased; he smelled the wheat fields of Central California, so familiar to him after working in Washington and Oregon. This was followed by the earthy and slightly rotten smell of marshlands.

Finally, after what seemed a very long time, Carlos saw the lights of farmhouses in what he guessed was Watsonville or Gilroy; he smelled the sweet-sour cent of cider vinegar, familiar in those areas during the winter, after the harvest. In the dim blue light of early morning, he saw the shadowy shapes of two-story wood frame houses near the tracks, empty laundry lines criss-crossing the small, fenced-in backyards. The train passed a few large factory buildings, and began to slow down; Carlos realized it was pulling into the Oakland yards, and it was time to move his sore and cramped limbs; time to climb down, and get off his refrigerator car, to avoid the yard bulls.

Shortly thereafter, he caught a cold, which turned into pneumonia. The doctor told him it was a type of pneumonia caused by breathing in too much dust or smoke. Carlos thought about the previous couple of months in Oregon; the air had been full of fertilizer dust and mold during potato sacking. Then there was the smoke blowing back from the steam engine of the train. He hadn’t thought much of it at the time, but he remembered feeling filthy with grit after getting off the train. He spent two weeks in the old red-bricked French Hospital near Geary Street, and realized that he just couldn’t do another stint in the canneries of Alaska. It was a shame, too, because he made good money there, despite the lousy working conditions.

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